Mo-Sys Reveals New Technologies at InfoComm, Cine Gear 2022

2022-07-02 01:36:23 By : Mr. Kevin Du

By SVG Staff Friday, June 3, 2022 - 7:45 am Print This Story | Subscribe

Mo-Sys Engineering will underscore its ability to deliver complete packages for green screen or LED volumes at InfoComm 2022 and Cine Gear 2022.

InfoComm 2022 Mo-Sys will again join forces with AOTO Electronics Co. Ltd., a specialist in LED application products, to showcase end-to-end LED Virtual Production solutions, running a live LED Virtual Production demonstration during the show that combines Mo-Sys’ pioneering VP technology stack and AOTO’s LED tiles.

Mo-Sys will showcase its award-winning LED content server, VP Pro XR, Multi-Cam Switching and its precision camera tracking system, StarTracker, working in tandem with AOTO’s 2.3 pitch LED tiles. The demonstration will give InfoComm visitors the opportunity to see first-hand Mo-Sys’ unique Virtual Production solutions.

Mo-Sys developed Multi-Cam to overcome the typical 5-6 frame refresh delay experienced by all LED volumes when switching between multiple cameras. Multi-Cam enables content creators and broadcasters utilizing LED Virtual Production to seamlessly switch between cameras, maximizing the creative possibilities and increasing the production value of any shoot.

“More and more corporate customers are taking their production in-house as they realize the powerful impact compelling content can make as they engage with their audiences. Modern Virtual Production techniques provide a cost-effective way to increase studio capacity and enable corporate users to create high-end, cinematic quality content while allowing teams to push the boundaries of their creativity,” says Michael Geissler, CEO of Mo-Sys. “As a leading Virtual Production pioneer Mo-Sys can offer customers complete turnkey packages and provide the necessary training aimed at their specific needs – we are unique in our ability to provide everything you need to start creating amazing content, regardless of what your level of experience is.”

The combination of Mo-Sys and AOTO solutions gives broadcasters and corporate customers a straightforward way to leverage high quality LED wall backgrounds instead of a green screen, and to eliminate green spill issues completely.

“We are delighted to partner with Mo-Sys once again at InfoComm,” says Michael Huang, Senior Account Manager, AOTO Electronics. “They are well known for their Virtual Production innovation, and our collaboration allows customers to benefit from complex technology made easy and create LED Virtual Productions using familiar workflows.”

As part of its strategy to drive forward the uptake of Virtual Production and fill the growing skills bottleneck facing the industry, Mo-Sys is also making its technology – and expertise in VP for the high end tv and film industries – accessible to universities and film schools. Through the Mo-Sys Academy program, Mo-Sys provides Virtual Production courses delivered by skilled on-set technicians, enabling group learning for industry professionals, university lecturers and teaching staff as well as students.

Cine Gear 2022 Visitors to the stand will see Mo-Sys’ award-winning VP Pro XR, its complete solution for Cinematic XR on-set real-time Virtual Production, in action combined with the next generation G30 gyro-stabilized remote head, which delivers precision movement and superior image stabilization.

Mo-Sys will also join Adorama to discuss the latest Virtual Production developments in a roundtable discussion. Using a mini-LED wall set-up, Mo-Sys will demonstrate how its immersive Cinematic XR Focus feature enables focus pullers to seamlessly pull focus from real objects in the foreground, beyond the physical plane of the LED wall, to virtual objects deep in the scene – or reverse focus pull if needed.

Mo-Sys VP Pro XR is the most versatile and up-to-date solution for cinematic Virtual Production. The system is integrated with Unreal Engine and supports both live or recorded workflows, using either green/blue screen studios or LED volumes. VFX compositing is made much easier as compositors have access to additional lens data (F-stop, T-stop, and shutter angle). The Mo-Sys G30 comes in a compact, 45-degree frame, allowing it to support virtually any broadcast or digital cinematography camera rig for precise movement and stabilization.

“As pioneers in Virtual Production technology we are passionate about giving cinematographers and broadcasters innovative ways of creating high quality, immersive content,” says Michael Geissler, CEO of Mo-Sys. “With our complete VP solutions, which can include training, we put leading edge technology at customers’ fingertips, without making the transition to VP a complex process – in short, we give them the freedom to fully express their creativity.”

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